“Now you’re in the Sunken Place.” Race and Agency in GIFs from Get Out to Hide Yo Wife
XXVI International Film and Media Studies Conference Moving Pictures, Living Machines, Automatism, Animation and the Initiation of Life in Cinema and Media, 21 – 26 March 2019, Gorizia
The ethics and agency(-ies) of digital media in prison
Commemoration, Memory, Archive: Investigating commemorative and memorial uses of personal, non-professional images in the digital age in the Global South, 4 – 5 September 2018, Brighton
Proto-Selfies in Prison: Spectacle, Invisibility and the Normalcy of Exceptional Brutality
Medial Reflections: Threat Communication and the US American Order after 9/11, 20 – 21 September 2018, Tübingen
Truth, Bones, and Fiction: Chile’s Los Archivos del Cardenal
Chair of the panel „Flows, Contingencies and Remixes of the Archive”
NECS (European Network of Cinema and Media Studies) 18 – 20 June 2015, Lódz
New Forms of Realism in Contemporary Chilean Cinema
Film-Philosophy 2 – 4 July 2014, Glasgow
Visual Epistemology and Homeland’s Title Sequence
NECS 19 – 21 June 2014, Milan
Surface Meanings A Media Archeological Analysis of NO (Pablo Larraín, 2012)
FilmForum 2 – 11 April 2014, Udine und Gorizia
The Politics of Corporeality in Pablo Larraín’s Dictatorship Trilogy
Film, History and Public Memory 3 – 4 October 2013, Derry/Londonderry
Zero Dark Thirty and the Politics of Torture
Watching Politics 31 May 2013, University of Warwick
