speaking

“Now you’re in the Sunken Place.” Race and Agency in GIFs from Get Out to Hide Yo Wife

XXVI International Film and Media Studies Conference Moving Pictures, Living Machines, Automatism, Animation and the Initiation of Life in Cinema and Media, 21 – 26 March 2019, Gorizia

 

The ethics and agency(-ies) of digital media in prison

Commemoration, Memory, Archive: Investigating commemorative and memorial uses of personal, non-professional images in the digital age in the Global South, 4 – 5 September 2018, Brighton

Proto-Selfies in Prison: Spectacle, Invisibility and the Normalcy of Exceptional Brutality

Medial Reflections: Threat Communication and the US American Order after 9/11, 20 – 21 September 2018, Tübingen

Truth, Bones, and Fiction: Chile’s Los Archivos del Cardenal

Chair of the panel „Flows, Contingencies and Remixes of the Archive”

NECS (European Network of Cinema and Media Studies) 18 – 20 June 2015, Lódz

New Forms of Realism in Contemporary Chilean Cinema

Film-Philosophy 2 – 4 July 2014, Glasgow

Visual Epistemology and Homeland’s Title Sequence

NECS 19 – 21 June 2014, Milan

Surface Meanings A Media Archeological Analysis of NO (Pablo Larraín, 2012)

FilmForum 2 – 11 April 2014, Udine und Gorizia

The Politics of Corporeality in Pablo Larraín’s Dictatorship Trilogy

Film, History and Public Memory 3 – 4 October 2013, Derry/Londonderry

Zero Dark Thirty and the Politics of Torture

Watching Politics 31 May 2013, University of Warwick