Publications

Books

• Jung, Berenike. The Invisibilities of Political Torture. The Presence of Absence in US and Chilean Cinema and Television. Edinburgh: Edinburgh University Press, 2020.
• Jung, Berenike. Narrating Violence in Post-9/11 Action Cinema. Wiesbaden: VS Verlag für Sozialwissenschaften, 2010.

Edited Volumes

• Jung, Berenike, Sachs-Hombach, Klaus, Wilde, Lukas. Agency Postdigital. Köln: Halem Verlag, 2021. Interview Video
• Jung, Berenike, and Stella Bruzzi. Beyond the Rhetoric of Pain. London/New York: Routledge, 2019.

Journal Articles

• Jung, Berenike, and Ivan Girina, eds. ‘Would you kindly?’: Claiming Video Game Agency as Interdisciplinary Concept’ G|A|M|E – Games as Art, Media, Entertainment 8 (Winter 2019).
• Jung, Berenike. “For They Need to Believe Themselves White: An intertextual analysis of Orson Welles’s ‘Othello'” Exchanges 4, no.2 (2017).
• Jung, Berenike. Review of The Apartment Complex: Urban Living and Global Screen Cultures, by “Pamela Robertson Wojcik. Film Studies 21, no. 1 (1 November 2019): 113-124.

Book Chapters

• Jung, Berenike and Derilene Marco. ‘De-marginalising and de-centring film studies in bodies, places and on screens’ in Film Education Journal 5.1 (2022):10-23. 
• Jung, Berenike. “The Colour of the Gaze: Ethical Strategies Get Out.” In Screen Ethics under Globalization: The Politics of Seeing, Feeling and Acting Anew, edited by Lucy Bolton, David Martin-Jones, and Robert Sinnerbrink. Edinburgh: University of Edinburgh Press, forthcoming fall 2022.
• Jung, Berenike. “Prison Selfies: spectacle, invisibility, and the normalcy of exceptional brutality.’” In Medial Reflections: Threat Communication and the US Order after 9/11, edited by Vanessa Ossa, David Scheu and Lukas Wilde. 123-144. London/New York: Routledge, 2020.
• Jung, Berenike & Lukas R.A. Wilde. “‘Unravelling the ‘Trump Shock,’ or: The Intertwined Threat Communication of ‘Post-11/9’.” In Medial Reflections: Threat Communication and the US Order after 9/11, edited by Vanessa Ossa, David Scheu and Lukas Wilde. 156-175. London/New York: Routledge, 2020.
• Jung, Berenike. “Within the limits of the possible: Aesthetics and Ethics in Larraín’s Dictatorship Trilogy.” In ReFocus: The International Director Series, edited by Laura Hatry. 69-88. Edinburgh: University of Edinburgh Press, 2020.
• Jung, Berenike. “Introduction to Beyond the Rhetoric of Pain.” In Beyond the Rhetoric of Pain, edited by Berenike Jung and Stella Bruzzi, 1-11. London/New York: Routledge, 2019.
• Jung, Berenike. “Voice and Silence: An Interview with Diamela Eltit.” edited by Berenike Jung and Stella Bruzzi, 193-220. London/New York: Routledge, 2019.
• Jung, Berenike. “History, Fiction and the Politics of Corporeality in Pablo Larraín’s Dictatorship Trilogy.” In Film, History, and Memory, edited by Jennie Carlsten and Fearghal McGarry, 118-33. Basingstoke: Palgrave, 2015.
• Jung, Berenike. “Utopian Heroes: Trauma reenactment and Stalling in Batman Begins and Superman Returns,” in Antje Dallmann, Reinhard Isensee & Philipp Kneis (eds.), Envisioning American Utopias (Frankfurt am Main: Peter Lang, 2011), pp 195-204.

Peer reviewed Essays

• Jung, Berenike. “ ‘Now You’re In The Sunken Place’: Agency in Reaction GIFs.” In Moving Pictures, Living Machines. Automation, Animation and the Imitation of Life in Cinema and Media, edited by G. Plaitano, S. Venturini, P. Villa. Mimesis International: Udine-Milan 2020.
• Jung, Berenike. “Surface Meanings: A Media Archaeological Analysis of NO (Pablo Larraín, 2012),” Cinergie Libri (forthcoming 2021).
• Jung, Berenike. “Imagining the Past. The Politics of Corporeality in Pablo Larraín’s dictatorship trilogy”, in Victor Barbat & Catherine Roudé (eds.) De l’Unité populaire à la transition démocratique: représentations, diffusions, mémoires cinématographiques du Chili, 1970-2013, actes des journées d’étude, published online as conference proceedings (October 2013).